Evan Gabriel

Archive for July, 2013|Monthly archive page

Thoughts from Venice Beach

In Anywhere But Here, Nonfiction on July 19, 2013 at 8:22 pm
Palm trees on an overcast day

Touchdown on a rainy day

Everything always immediately becomes a little different when you express it, a little falsified, a little foolish—yes, and that, too, is very good and pleases me greatly, I am also perfectly contented that one person’s treasure of wisdom always sounds like foolishness to someone else.

—Siddhartha

17 February, 2013

Went down to Venice Beach yesterday to meet up with Sonny and the gang from USC. Stopped off at the corner of Washing Pl. and Lincoln to hear the Zydeco band playing at a Mardi Gras celebration. What a great place to pause and see the world revealed; black cowboys in fancy leather boots, Chicano men with fedoras teaching their grandparents how to eat crawfish through spoonfuls of jambalaya, little kids running around confused and happy, and of course, women strutting up and down the lanes, flashing morsels of skin and flab and skirt all together, all over. For my eyes only.

I sat happy and anxious eating my delicious $5 catfish as the band played and I realized Zydeco music is pretty sweet. Made me think back to my senior years, Audio Tech, final recording project when a few other classmates and I were assigned to produce a Zydeco song. This timid freshmen would always come up to us when we were slacking off, working on our own shit:  “So, wussup with the Zydeco beat today?” I don’t think we ever finished it.

Sunny skies flapping overhead like the patriotic flag on the Fourth of July in Excelsior, I headed down Washington on foot to hit the beach and find Sonny, who had just taken acid, he announced to me on the phone as I passed Marina Del Rey. Finally reached the Venice Beach boardwalk. What a scene. Beautiful beach in the distance, silk sand, palm trees, but people everywhere. And the houses—so lavish, such complex structures, beautiful in their integrity, ugly in their origin—having come from money and ugly people and the dream of attaining happiness (their little piece at least). The boardwalk is a bit of a freak show: the Muscle Beach section is solely devoted to guys lifting in front of medical marijuana card shops while gaggles of bros, French and Middle Eastern families clip the heals of gorgeous women who steer clear of the homeless and crazy. Strangest of all, I saw a short man, very dark, with a greasy sleek-down perm flat to his skull, strutting along, content wearing a revealing red Speedo and carrying a strange, big black oblong shaped object that looked like a horn. He smiled in his cheap running sunglasses as people passed, some of them shocked at this curved, phallic object he kept hooked around on of his bulging biceps like a wrench.

I finally reached Sonny who was coming up on some good giggles and we hung out on the sand with his girl Nicole. Eventually, Will and Geenie showed up after some time underwater. All nice people. All in their own world of LSD, and me, happy to sit and think more about this place and the deeper theory I have about California—L.A. specifically, holding this elusive promise of happiness to its inhabitants. I mean even the lawns and boulevards are professionally manicured. Nonnative palm trees tower over every city block. What were Tom and Ma and the rest of the Joad clan looking for, more than just stable employment? What is America looking for? In second and third world countries, the only cities most people have heard of are New York and “California.” What is it seeded in this land of sun and long days that draw people toward it? What wheat is planted in these fields that causes people spend their whole lives working it?

Baldwin Hills Scenic Overlook

Baldwin Hills Scenic Overlook

Sonny and I talked about his friend, Tyler, a guitarist from La Crescenta whom I had become very interested in after we’d met a few nights before at a recording session at USC. Tyler was a very quiet kid, wearing a loose beanie and carrying a pack of Marlboros in the tattered breast pocket of his red-checkered flannel. After the guys laid down about an hour’s worth of music, Sonny toggled his thumb up and down to mimic a lighter and called me outside. In the dim courtyard, we talked future plans as smoke poured from our mouths and noses. Then gradually, with the pumpkin glow of streetlights piercing the iron latticework, the subject took an unexpected turn to literature.

“You’re an English major. So…do you read books?” Tyler asked me.

The way he muttered “books” made me think that was the only subject he really associated with English majors. I couldn’t help laughing as I answered.

“Yes, I do—read books.”

But after this, my first impression of him receded, for his seemingly shyness about the subject was not based on a weak understanding of a literary track, but rather the opposite—the kid was addicted.

“Good. That’s like, my favorite hobby. That and this,” he pointed to his potent pillbox.

So we began talking about subjects and titles and devices that escape the appeal of most standers by. I brought up books I had only heard about, with sexy titles by far off authors. Tyler had read them all.

“Absalom, Absalom?” I asked. “I’ve heard it’s one of the hardest books to understand, up there with Ulysses.”

“Ehh, not quite on a Joycean level,” Tyler croaked through a throat load of smoke. “But definitely amazing prose, the stream of consciousness with that guy, man.”

The kid was very well read—excelling in almost any author I brought up save Bowles, Theroux, Hawthorne, and Kerouac. But what does it matter? He knew the prose of Joyce, Faulkner, Pynchon and had no resistance to attest to their genius. I liked that.

“The beauty of tragedy,” he kept muttering.

By the end of the night, I was fond of the saying as well. And it made me ponder why tragedy was always so beautiful on a page when it was far away from the reader.

On Venice Beach I recounted the conversation Tyler and I had to Sonny.

“Yeah dude, Tyler’s the man. He’s crazy smart. He’ll just go for days, reading and writing books, writing music, just smoking. He’s always doing that. But like, I worry about him. He’s got such a good style [musically]. I just hope he doesn’t burn out, you know? He’s a heavy smoker. I don’t want to see him burn out too quickly.” Sonny smiled through his baby-blue Raybans.

“Man, I don’t want to burn out too quickly,” he said, and stared toward the boardwalk as if speaking passed me.

Abruptly, I became omniscient and was not me but rose into the sky, above the ocean and saw us sitting there, young and brimming with life in America, trying to succeed by societal standards while not losing sight of the unquantifiable joy of existence—the fuel to pursue dreams, the treasures of wisdom—and I sincerely hoped none of our fuses burned too quickly.

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Like-Minded Criminals

In Nonfiction on July 19, 2013 at 7:24 pm

 

Hopping Over the Sunset

Saluting the Sunlight Goodnight

 

We at The Incorporated now have a weekly column on a local fashion and lifestyle platform, EYES + EDGE. Our good friend Holly Hoover was kind enough to publish my nonfiction piece on the enigmatic chemistry between boys and trains, and you should check it out here.

presenting MANDATORY BOUNCE

In Audible, Current on July 18, 2013 at 11:11 pm

In recent weeks at the Incorporated Factory, aka the lab, with nothing more than a few ideas floating around and our piles of music, digital and vinyl, Mark McGinnis and I decided it was time to put together a mix that would sum up not only our tastes in music, but create a new listening experience. I like to think of our “Beats and Palaces” compilation as more than a couple “mashups,” a term that was coined by notorious the laptop DJ, Girltalk. Instead, I think of these blends as handcrafted selections with a degree of authenticity based on what breaks we used and why we paired certain artists with others. There is a rhyme and reason to all. Don’t let anybody tell you differently. Thanks for the patience. Now sit back and indulge in that fact that while your workday passes by, this is the state of music in the streets.

ANYWHERE BUT HERE: Fez, 2011

In Anywhere But Here on July 12, 2013 at 8:55 pm
"'The intellect is the soul's pimp.' She had not wanted to know what he meant, but of course he had gone on and explained that the intellect was constantly seducing the soul with knowledge, when all the soul needed was its own wisdom.""

“‘The intellect is the soul’s pimp.’ She had not wanted to know what he meant, but of course he had gone on and explained that the intellect was constantly seducing the soul with knowledge, when all the soul needed was its own wisdom.””– Paul Bowles, The Spider’s House

AUDIBLE: A-Trak’s Boiler Room Set

In Audible on July 9, 2013 at 12:53 am

Standing among the sea of sweat in Portland’s Wonder Ballroom last summer, glumness crept over me as the club’s lights came back on.

Why? Wasn’t seeing Nosaj Thing, Flying Lotus, and A-Trak plus the flask of rum in my pocket enough to guarantee a good night? For some, maybe. For me, I just couldn’t help but wish A-Trak would let lose and dig into his legendary beatjuggles, rather than bang dance songs for candy-eyed hipsters.

As an 11-year-old DJing in battles around the Twin Cities, it didn’t take long for older cats to put me onto A-Trak, who started in Montreal before quickly excelling on an international level and becoming the youngest DJ ever to win a Disco Mix Club (DMC) title in Japan at the ripe age of 16.

Although the DMCs went bankrupt before I could get myself to Tokyo, I kept battling, kept looking up to Canadian kid. At 16 years old, I bought “Sunglasses Is A Must,” A-Trak’s self-produced documentary, and continued to be astounded by his skills. Weather catching praise from the likes of Ice T, Prince Paul, Red Alert or Kanye West, whom he began DJing for circa 2006, everyone can appreciate a guy with a cool jacket who produces bangers. But A-Trak is more than just that.

In the graffiti world there are kings. Djing has its Grand Masters. And even though the brother of Chromeo’s David “Dave 1” Macklovitch is no longer solely considered a turntablist, (Danny Brown is signed to his Fool’s Gold record label) but rather headed towards the EDM sunset, it’s safe to say A-Trak will soon approach the DJ Hall of Fame.

Check this video of Trizzy absolutely killing his Boiler Room set and making me wish I had saved up some cash to make the haj to Los Angeles.

Favorites: the Mannie Fresh/Lil Wayne “Go DJ” beatjuggle @8:00. Oh yeah, and the J Dilla drops at the end are aiight.

 

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